St. Maria Goretti

Planning

In 2002, plans were begun to build our church.  It began with a questionnaire that was sent out to parishioners, followed by two town hall meetings to determine what was important to our parish family.  The preference was for fan seating, which allows for a more intimate setting.  The absence of posts in the church would result in everyone having a clear view of the altar.  To this end, the last pew was not to be over 95 feet from the Altar.  The design of St. Maria Goretti is a contemporary version of a traditional church. The goal was to raise our minds and hearts to God and to heaven. All of St. Maria Goretti's major beams come together to point to heaven, as well.

On July 26, 2003, ground was broken on the new church, and on December 8, 2004, the 150th anniversary of the celebration of the Immaculate Conception and 9th anniversary of the first Mass of St. Maria Goretti, the new church was dedicated.  Bishop William Higi consecrated the altar and building, and fireworks were set off to celebrate the occasion.

Relics

Located in the floor directly under the Main Altar of the church are 13 first class relics, each obtained directly from the Vatican.  In order to be considered "first class", a relic must be a part of the body of the saint (example:  bone or blood).  A second class relic is one that the saint has touched and used throughout their lives.  The relics under the altar are those of:  St. Maria Goretti, St. Philip Neri, St. Bernadine of Siena, St. John Bosco, St. Elizabeth Ann Seton, St. Thomas Aquinas, St. Catherine of Siena, St. Clare of Assisi, St. Frances Cabrini, St. Pius V, St. Pio of Pietrelcina (Padre Pio), Blessed Pier Giorgio Frassati, and St. Teresa of Calcutta.

Tabernacle

Designed to be the focal point when entering the church, the polished brass tabernacle is surrounded by a bronze plate.  There is a round disc, cast in bronze, above the tabernacle with IHS etched in it, which is representative of the Holy Name of Jesus.  The stained glass screen surrounding the tabernacle is illuminated by light shining through the Holy Spirit window.  The light bursting through both the window and screen reiterates the presence of Jesus in the tabernacle.  Between the Main Altar and daily chapel Altar are four sliding stained glass pocket doors.  These can be opened for additional seating.

The Statues

Located in an alcove on the south end of the church is a statue of St. Maria Goretti, our Patron Saint.  With her hand extended offering a lily as a sign of purity, her devotion to Christ is unmistakeable as a crucifix hangs around her neck.  There are red votive candles, signifying our Patroness' status as a martyr, surrounding St. Maria Goretti and all are invited to offer prayer to our patroness at anytime. The figure is the same size as an average twelve-year old girl. Opposite of St. Maria Goretti, on the north end of the church, sits the statue of Mary kneeling. looking up at the crucifix above the altar with her hands in front of her chest, as if offering her heart to the Lord and inviting all of us to do the same.  Like the St. Maria Goretti alcove, visitors may ask Mary's intercession by lighting one of the many blue votive candles surrounding her.

Stained Glass

The most prevalent stained glass window at St. Maria Goretti is the 16-foot circular window facing the east which features St. Michael the Archangel. Composed of over 12,000 pieces of glass, the window portrays to all the powerful image of St. Michael, guarding and protecting the St. Maria Goretti Parish family.  St. Michael weighs 1700 lbs...almost one ton!  His head alone is over 2 feet tall and his outstretched hand is large enough to cradle a two-year old child.


Below the St. Michael window on the outer wall of the Holy Spirit Daily Chapel is the beautifully crafted Holy Spirit window. Morning visitors will appreciate the glorious light as the sun shines through the magnificent stained glass.  The window was designed after the window at the Altar of the Chair at St. Peter's Basilica in Rome.

 

The Crucifix & Stations of the Cross

Upon entering the rear of the church, visitors' eyes will naturally be drawn to the massive crucifix suspended above the Main Altar.  Handcrafted in Northern Italy, the crucifix was carved from linden wood with the corpus being 8 1/2 feet from head to toe.  The cross is a wooden box wrapped around a metal frame and is 16 feet tall.  The Processional Cross is an exact replica of the Crucifix and was donated by the St. Maria Goretti Holy Name Society.
The fourteen Stations of the Cross were made in Assisi, Italy.  While in Assisi, Fr. Kevin and a group of parishioners on pilgrimage found the Stations in a small wood shop in the old section of Assisi.  Fr. Kevin made an arrangement with the artist to produce an identical set at 2 1/2 times the size.  Within weeks of the group's return to the U.S., the artist was diagnosed with cancer and died less than a year later.  The original set first viewed by the group was purchased and can be seen hanging in the church.  These exquisite representations of the fourteen scenes in Jerusalem, where Jesus walked on his way to die for us, are created in ink embedded in the pinewood, with watercolor tint highlights.  An attached olive wood cross from the Holy Land crowns the arched top of each of the Stations.

Holy Spirit Daily Chapel

With windows facing directly east and housing the beautiful window of the Holy Spirit, the Daily Chapel is a wonderfully peaceful place to celebrate Daily Mass.  As the morning sun passes through the 100-seat chapel, the tabernacles's presence is unmistakable.  This illuminates the main church as it flows through the stained glass surrounding the tabernacle. In addition to the Daily Mass, Daily Adoration was held in the Holy Spirit Chapel until our Adoration Chapel was completed in December 2018.

 

Local Craftsmanship

Not all of our wooden features were crafted in Italy!  Parishioners Kim and Mike Lucas were commissioned to create wooden pieces throughout the church and adoration chapel.  These pieces included:  the Main Altar, Main Ambo, Kneelers, Baptismal Spirals, Candlesticks, Tabernacle Altar, Daily Chapel Altar, Daily Chapel Ambo, Adoration Chapel Triptych Table and Kneelers.  Each piece was uniquely handcrafted.  The Lucas's applied both Barley Twist and Exodus Spiral carpentry designs to the process.  This mix of spiral imagery represents the divinity and humanity coming together in Christ.

Parishioner Tom Harford handmade the Baptismal Font located in the rear of the church.  It is an impressive wooden structure holding a lighted acrylic tub topped by a copper bowl continuously "feeding" water into the tub.  As we see the living water and bubbles passing through the luminous tub, we are reminded of the sacrament that begins our lives as Catholics.  Tom Harford also handmade the Ambry, which is a permanent fixture built into the wall located just outside the rear doors of the church in the Narthex and visible from both sides, to hold all the Holy Oils. He also constructed the Adoration Chapel Triptych, along with Jason Hemmerling and Joe Lintzenich, as well as the bulkheads found in the Adoration Chapel, as well as the trim work throughout the church and chapel.

Although our church plans originally included a bell tower and dedicated adoration chapel, costs excluded us from including them at the time the church was built. However, thanks to the generosity of so many, funds were raised through special donations and our 2016 Fruitful Harvest capital campaign that allowed us to construct both. Our adoration chapel was completed in December 2018 and blessed by Father Kevin Haines on December 8, 2018. This date marked the 14th anniversary of the Church Dedication, and 23rd anniversary of the Parish’s first Mass.

Feature Wall

Designed to pull several of the elements seen in our church, including an arch below a gable, raising our minds and hearts to God and to heaven. The rays around the triptych are hand painted and are a take on the rays in the church reiterating the presence of Jesus in the monstrance. The colors are designed to be consistent with the colors found in the church stained glass, while also tying into the stained glass windows in the adoration chapel with elements of blue. Transparent panes of glass give view to a pearlized paint finish that is meant to guide our minds to God who transcends both time and space.

Stained Glass

Our Adoration Chapel is graced with beautiful stained glass windows that enhance the environment of prayer and adoration, which were paid for by members of our parish through contributions to the 2018 Spring Fling Calling All Angels appeal. Designed and crafted by the renowned stained glass artists at Conrad Schmidt Studios in Wisconsin, these six windows resemble the 6 existing dormer windows in the Main Church, allowing the light to shine in the space, and with a border consisting of deep blues and purples, beveled glass and gold art glass.
On each window are points, representing stars and constellations, arranged in a way that reflects how the stars in the sky were arranged in the skies above our church, and out those very windows, at the time the Last Supper was happening. The stars remind us that when we are in that Adoration Chapel, we are in the presence of the same Christ, through the same Sacrament, as the Apostles on that night in Jerusalem.

Triptych

The front of the triptych contains the same IHS design found in the bronze about the tabernacle in the church that is representative of the Holy Name of Jesus. The angels on the interior of the triptych doors, which are seen when Jesus is exposed, indicate the presence of the angels keeping vigil with Jesus and adoring him with us. Both the table and the stone are designed to mirror the tabernacle table in the church. The combination of all of these elements are designed to be consistent in theme and feel as the main church, while containing just enough difference that the purpose of the chapel and focus on Jesus in the Blessed Sacrament are unmistakable.
The rays around the triptych are hand painted and are a take on the rays in the church reiterating the presence of Jesus in the monstrance. The colors are designed to be consistent with the colors found in the church stained glass, while also tying into the stained glass windows in the adoration chapel with elements of blue. Transparent panes of glass give view to a pearlized paint finish that is meant to guide our minds to God who transcends both time and space.

Monstrance

The monstrance is the same monstrance used for years in our parish on special occasions when Jesus was exposed to the congregation within the main church, donated by Jeff & Bridget Burns to the parish in memory of their deceased family members. It also contains the element of rays, keeping with the design of the glass. It sits on a corporal which contains both the IHS design seen on the triptych, as well as rays once again shining out from Jesus.

Kneelers

Designed again with the arch and rays that are prevalent in our church and chapel, the kneelers combine elements of wood and steel. In addition to the arch/ray element, the steel also ties into the lead lines of the stained glass. The wood contains the same spiral detail that is also prevalent in our church and chapel.


 
In addition to these individuals, there were a number of additional parishioners who also lent their talents to the construction of the Adoration Chapel, including:

Parishioner Design Consultants: Greg Cradick, Andie Flanagan & Rebecca Dean

Painted Glass: Jeff Bowen

Painter: Terry McConnell

Flooring: Joe Mateyko

Stone: Chris Weddige

Sign-in table construction: Andre Maue

Corporal: Kathy Duff

Kneeler upholstery: Chadwick & Stacy Collins